Why I Wrote Josephine Baker’s Last Dance
By Sherry Jones
Working as a journalist for
30-plus years, I made little money--but I gained something more valuable: a
conviction that I was making a difference in my community and in the wider
world.
During my decades as a newspaper
reporter and then as a correspondent for a national news agency, I discovered
the power of the written word to tear down, uplift, and transform.
So it makes perfect sense
that, when I turned to fiction, I would write books about women who made their
mark on the world.
From the Prophet Muhammad’s
favorite wife to four sisters who became European queens in the 13th
century, my protagonists are movers and shakers. Josephine Baker may be the
most important of them all because of all she did for her “people”--the
African-American community.
Born in 1906 and raised in the
St. Louis slums, she knew racism first-hand, abused by the white woman in whose
home she worked at age 7; traumatized by the East St. Louis Race Riots in 1917,
when white workers and their families set fire to black families’ homes and
shot and lynched those who tried to escape; confronted by men in white hoods
and “whites only” signs in the American South as a girl of 13 touring on the
black vaudeville circuit, and much more.
In Paris at age 19, she
discovered a different world, one in which black people and white ate together,
sat in theaters and on streetcars and buses together, danced onstage together,
and even married one another. She must have thought she’d died and gone to heaven.
But hatred wasn’t so easy to
escape. It followed her: to Paris, where white Americans confronted her and
even had her removed from the hotel where she was lodging; to Germany, where
Hitler’s Brownshirts threatened her; and all around the world, as she performed
her famous “banana dance” in spite of protesters’ calling her a “black
demon”—and worse.
By the time the Nazis invaded
Paris in 1940, Josephine Baker was already working as a spy for the nascent
Resistance movement, seducing generals and diplomats to confide in her, then
carrying the information across borders.
Empowered by these
experiences, she embarked on her third U.S. tour in 1951 with another goal in
mind: to put an end to racial segregation. She publicly declared that she would
perform in no nightclubs or theaters and patronize no businesses that
segregated their clientele.
As a result, many venues
allowed black people through their doors for the first time—and Ms. Baker
became the target of an FBI investigation into her alleged ties with the
Communist Party. Her outspokenness resulted in many canceled gigs and the loss
of a movie deal, and ultimately the loss of her castle in southern France.
She never gave up or expressed
any regrets about her activism, though. Indeed, she persisted. In 1963, she was
invited to Washington, D.C., to speak at the March on Washington with Dr.
Martin Luther King, Jr.—the only woman to speak.
I wrote JOSEPHINE BAKER’S LAST
DANCE to remind the world that the woman in the banana skirt was so much more
than that. Josephine Baker was a force of nature and a force for change, and
gave everything she had in effort to make a difference for African-Americans.
By telling her story as well
as the stories of all my fictional heroines, I hope to make a difference, too.
This is why I exist, and why I write.
About the Author
Author and
journalist Sherry Jones is best
known for her international bestseller The Jewel of Medina. She is also the author
of The Sword of Medina, Four Sisters, All Queens, The Sharp Hook of Love,
and the novella White Heart. Sherry lives in
Spokane, WA, where, like Josephine Baker, she enjoys dancing, singing, eating,
advocating for equality, and drinking champagne.
Her latest novel is Josephine
Baker’s Last Dance.
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