P.H.T. Bennet began exploring his dreams when he
was a child and has never bothered to stop. He had the good luck to have two
daughters, Juliette and Paola, who not only served as the inspirations for
DeeDee and Kiva, the main characters of Raising
Sleeping Stones, but also helped him turn their family dreamwork
sessions into this book. His lucky streak grew when he married his lovely wife,
Mim, who tolerates his turning on a light in the middle of the night to write
down ever-crazier dreams and talking about them in the morning as long as he
lets her sleep in, first. His favorite dreams involve flying, visiting the
dead, and replaying nightmares until they reveal their secrets.
Pratt’s latest projects are editing Book Two of the
Orora Crona Chronicles and planning a virtual summer dreaming camp
with other dream authors.
For More Information
- Visit P.H.T. Bennet’s website.
- Connect with P.H.T. on Facebook and Twitter.
- Find out more about P.H.T. at Goodreads.
Like every kid in Solasenda,
Kiva Stone has been far too busy training for one of the five town guilds to
think about something as useless as dreaming. But when she and her sister
DeeDee uncover a
mysterious plot to get rid of them, their only hope lies with
a shadowy group of people who wield unimaginable powers drawn from their
dreams. As the girls escape with them up the Varruvyen river, they start
learning secret Dreaming Way techniques that have been forbidden for centuries.
But how can they learn enough to stand against the enemies chasing them? The
answer lies in the shattered history of Orora Crona, the lost Valley of Dreams,
and whoever can piece it together first will rule for centuries to come.For More Information
- Raising Sleepy Stones is available at Amazon.
- Pick up your copy at Barnes & Noble.
- Watch Trailer 1 and Trailer 2.
- Discuss this book at PUYB Virtual Book Club at Goodreads.
Thank you for this
interview! I’d like to know more about
you as a person first. What do you do
when you’re not writing?
So many things: teach, research,
chill with our amazing cat, Cleo, let my youngest daughter try to convert me to
dubstep, and learn from the birds my wife lures into our backyard to be here
and now.
When did you start writing?
Not until my first daughter was
born. I was an outdoor sculptor for many years and that was my main creative
focus. It wasn’t until Paola was born that I realized that I couldn’t do that
kind of work anymore. It took me away from my daughter for too many days, so I
stopped to help raise her. And that was wonderful, but also really really
confusing because I didn’t know who I was if I wasn’t creating something. So I
started writing after everyone had gone to bed, and for many years, I was
working on a screenplay about three very different fathers trying to figure out
the best way to be and raise their children. But when I was finished with that,
I realized I didn’t have the money to pay the crew to produce it, so I thought
that first, I’d do something easier like write a novel. Ha! If I had known it
would consume 12 years of my life…
As a published author, what
would you say was the most pivotal point of your writing life?
It was getting a grant from
Newbury Comics through the Berklee College of Music. I had a huge ambitious
goal to turn kids on to their own dreams through a dreaming novel and app, but
I couldn’t make that goal come true on my own. When they gave me that grant,
the dream became real and I was able to hire people to make it happen. I’m
really, really grateful to Newbury Comics and Berklee for that.
If you could go anywhere in the
world to start writing your next book, where would that be and why?
Either the densest forests of New Zealand or Madagascar. I want a place that is so alien to me, so different from
what I know. That would really help for the next book, which happens in a
valley that was completely shaped by people’s craziest dreams. I think both
those places would inspire some crazy ideas for the books, so if anyone knows
someone on the Board of Tourism in either country…
If you had 4 hours of extra
time today, what would you do?
I’d slow down and try to do less
more often. I do better work and feel better when I have the time to just stop
and be. My mother and I, who have spent most of our lives talking at 100 mph,
recently started doing walking meditations along the Charles River
and they have helped me to finally slow my monkey mind down and see what I
hadn’t seen, hear what I couldn’t hear before. It is such a gift to stop doing
and start being. Everything flows better after we do that.
Where would you like to set a
story that you haven’t done yet?
Paris. Definitely Paris. I lived there for 5 years at three very different stages
of my life and had many life-changing experiences there, so I feel I belong
there, or that I’ve earned my place there more than almost anywhere else,
including Boston, where I’ve been living for over 26 years. But the story
wouldn’t be about me, an American in Paris. It would be about some of the incredible French people I
met and became friends with there. I’d
like to bring some of them into the pages of a story and see where they take
me.
Back to your present book, Raising Sleeping Stones, how did you
publish it?
I self-published because I had such crazy ideas for making
the app with all these new features like a complete original Story Score and a
cover that would reveal more illustrations as the reader progressed that no
publishers could wrap their heads around it. I’m really proud of the book and
the app that my team created, but it was exhausting! We never could have done
it without all our Kickstarter backers (thanks, guys!) and if I could do it all
over again, I might start with a traditional publisher before moving to
self-pub, as I am not the world’s greatest marketer, and unless you know how to
market your book, no one will know it even exists, no matter how fantastic it
is.
In writing your book, did you
travel anywhere for research?
Yes. I did a lot of nature research in New Hampshire in the area around my family’s home. That was key to the
sections where the Stone sisters run away from home and travel upriver in the
wild for the first time in their lives. I also went to New York City many, many times to do research on ancient civilizations
and art in the libraries and museums there. Though many of the dioramas and
exhibits in the Museum of Natural
History haven’t
been dusted off for decades, they still serve as incredible windows through
time and culture. When I’m there, I completely forget I’m in New York. Or in the 21st century.
Why was writing Raising Sleeping Stones so important to
you?
Hm. I have to think about that. I
guess because it crystallized a lot of feelings I’d had all my life about what
it meant to not fit in. I was a weird kid- too gangly to be a good athlete, too
interested in the ideas behind my artwork to focus enough on the technique, too
excited about my own ideas to be a really good listener to others’, too
interested in so many different things to be an expert in any of them… so I
never seemed to find my tribe. And that’s very much the struggle that Kiva has
to work through in this book. I know that so many kids feel that who they’re
expected to be in school, or at home, or online isn’t really them and I wanted
to show them that in their dreams, every night, lies the truest possible
expression of who they are at that moment. And the beautiful thing is that just
as they can use their dreams to guide them to a fuller and more authentic
version of themselves, their dreams will change as they do it, constantly
updating to both reflect who they’re becoming and what they might want that’s
new.
Where do you get your best
ideas and why do you think that is?
From my dreams and from great
books.
Any final words?
I love hearing from readers what they are doing and
discovering in their dreams, so if any of them want to share their dreams or
experiments, email me at phtbennet@raisingstones.com or find me on
Twitter at @phtbennet.
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